PATRICIA McGREGOR (Shakespeare: Call & Response Conceiver & Director) is a director and writer of theater, TV/film, and music. Born in St. Croix, she has twice been profiled by The New York Times. Productions include Lights Out: Nat “King” Cole (Geffen Playhouse, People’s Light); Sisters In Law (Wallis Annenberg); What You Are, A Midsummer Night’s Dream, Measure for Measure (The Old Globe); Skeleton Crew (Geffen Playhouse, Studio Theater); Good Grief (CTG); Hamlet (The Public); The Parchman Hour (Guthrie); Ugly Lies the Bone (Roundabout); brownsville song… (Lincoln Center); Indomitable: James Brown (The Apollo); Holding It Down (Metropolitan Museum); A Raisin in the Sun, The Winter’s Tale, Spunk (California Shakespeare Theater); Adoration of the Old Woman (INTAR); Blood Dazzler (Harlem Stage); Four Electric Ghosts (The Kitchen); Hurt Village (Signature Theatre). She has directed the 24-Hour Plays on Broadway and served as tour consultant to Raphael Saadiq and J Cole. McGregor co-conceived and directed the Grammy and Pulitzer-nominated oratorio Place with Ted Hearne and Saul Williams. McGregor co-founded Angela’s Pulse with her sister, choreographer and organizer Paloma McGregor, is Artist in Residence for Adam Driver’s Arts In the Armed Forces, is a Time Warner 150 fellow, and serves on the advisory board for PAAL. She is a member of London’s National Theater International Director's Lab and a Usual Suspect at NYTW. Education: Yale School of Drama (Paul & Daisy Soros Fellow; Artistic Director of the Yale Cabaret).

DIGGLE (Scenic Design) is a proud Gay Mexican-Latinx Scenic Designer. Selected NYC credits include: The Conversationalists (Bushwick Starr), Cowboy Bob (NAMT), Sweeney Todd (Hangar), Queens Girl in the World (Hangar/ Central Square Theater), So Long Boulder City (SubCulture), Decky Does A Bronco (Royal Family), Red Emma & The Mad Monk (Tank/ANT Fest). Regional & International: Electra, Fade (Dallas Theater Center); 10 Out of 12 (Undermain Theatre); Why Do You Stand There In the Rain? (Edinburgh Fringe/Scotland Tour). Current Projects: Monstersongs (TheaterWorks Hartford). Associate Scenic Design credits include work for Clint Ramos, Dede Ayite, and Rachel Hauck. Broadway Associate Scenic Design: Slave Play and Grand Horizons. www.diggledesigns.com

KATHERINE O’NEILL (Costumes). Regional: Lights Out (Geffen); The Parchman Hour (Guthrie); The Unfortunates (ACT and OSF); Blood Dazzler (Harlem Stage); The House That Will Not Stand (Yale Rep and BRT); The Taming of the Shrew and A Midsummer Night's Dream (CalShakes); The Death of a Salesman (Yale Rep); and Becky Shaw (Roundabout). MFA: Yale School of Drama.

JORGE OLIVO (Sound System Design). The Public: Associate sound design for Sea Wall/A Life; associate sound design for Teenage Dick (The Public/Ma-Yi); A1 for Mojada. Off-Broadway credits include Sound Design for Anna In The Tropics audio drama (The Acting Company). Sound design: The Signature Project at The Sheen Center, Nu Works with Pan Asian Rep, Border People (The Working Theater). Associate sound design: Todd Solondz's Emma and Max (The Flea), The Chinese Lady (Ma-Yi). He won Best Sound Design 2017 at United Solo for Hide Your Fires with Ren Gyo Soh. 

MALIK WORK (Sound Content Design) has written and performed the highly celebrated original hip hop musical Verses @ Work, garnering him a nomination for Best Solo Performance at the AUDELCO Awards. The film version of Verses won the International Spotlight Award at the Los Angeles Brazilian Film Festival. As an emcee, he’s a founding member of The Real Live Show, a groundbreaking, international jazz/hip hop band. As an actor, he’s been seen off-Broadway, on network television, and on the big screen. As a teaching artist, he is a faculty member at the National Theater Institute, TEAK Fellowship, and The Public Theater’s own Mobile Unit. www.malikwork.com, @malikwork IG/Twitter.

IMANI UZURI (Composer), raised in rural North Carolina, is an award-winning composer, vocalist, librettist, improviser, and conceptual artist. She composes, performs, and creates interdisciplinary works including concerts, ritual performances, albums, sound installations, and compositions for chamber ensembles, voice, and theater (including experimental and musical theater). As a Jerome Foundation Composer/Sound Artist Fellow and a Camargo Foundation (Cassis, France) Composer-in-Residence, Uzuri made international sojourns in support of her forthcoming ritual opera celebrating the holy and oft controversial iconography of the Black Madonna. Uzuri has been commissioned by Banff Centre for Arts and Creativity, The Ford Foundation, Harvard Fromm Players, and her recent Chamber Music America New Jazz Works commission, She Knows Suite, premiered at Lincoln Center Atrium. 

PALOMA McGREGOR (Choreographer). The Public: Hamlet (Mobile Unit). Off-Broadway: brownsville song (b-side for tray) (LCT3). Regional: Jazz (world premiere), Marley (world premiere), Pride and Prejudice, A Civil War Christmas (Center Stage); The House That Will Not Stand (world premiere, Yale Rep/Berkeley Rep); Blood Dazzler (world premiere, Harlem Stage); Building a Better Fishtrap (world premiere, BAAD! Bronx Academy of Arts and Dance). Awards: New York Dance and Performance (Bessie) Award, Soros Arts Fellowship, Dance/USA Fellowship to Artists, Urban Bush Women Choreographic Center Institute Fellowship.

KATIE KENNEDY (Production Stage Manager). The Public: for colored girls…, Mobile Unit’s The Tempest and A Midsummer Night’s Dream, Under the Radar Festival 2018, Latin History for Morons. Off-Broadway: Retreat: A Radio Play, REVELATION, SKiNFoLK: An American Show, Throw Me on the Burnpile and Light Me Up, Wickedest Woman, Pedro Pan, The Review or How to Eat Your Opposition, Rent, Urinetown: The Musical, Bloody Bloody Andrew Jackson. Benefits/concerts: Camelot at Lincoln Center’s annual gala. Labs/showcases: LCT 2019 Directors Lab, Viet Writers Lab (Without Country).

LUISA SÁNCHEZ COLÓN (Stage Manager). The Public: Romeo y Julieta, Shipwreck, The Line, Under the Radar Festival, Mojada, White Noise, Miss You Like Hell, Oedipus El Rey. Studio Theater: I Hate it Here. LCT: Greater Clements. National tour: Biscuit, Dog Loves Books. Other NY theater: The Paper Hat Game, Gruesome Playground Injuries, The Fire This Time Festival. International (U.K.): Hangmen (Royal Court Theatre), Hijinx Unity Festival.